Most of the information on automata can be found on the
internet. A search on the internet for “automata” would reveal numerous
websites and blogs. Here is a concise summary.
Automata can be divided into historical and contemporary
genres.
Historical
Automata traces it roots back to the period of antiquity,
when the Greeks and Romans were mesmerising the public with animated “gods” and
toys. Most of this motive power came in the form of energy from gravity-fed water
or heat propulsion. When we fast forward the chronology to the Middle Ages, there
were gravity-driven clocks and spring propulsion. From the 18th
century onwards, the advent of automata started in Switzerland resulting from
clockwork expertise, then moved on to France where Gaelic artistic flamboyance saw
the creation of doll-size mannequins dressed in fabric and brilliantly animated. These mechanisms invariably featured a key-wound spring mechanism
connected to a shaft upon which numerous cams and levers would be mounted, each
controlling various actions. Due to their complexity, most of the mechanisms
were made of metal for durability.
This golden age of automata closed with the end of WWI, when that global conflict transformed the whole of European society and culture. Separately in Japan, there was a brief but separate development of sophisticated automata with wooden material.
Contemporary
Perhaps from about the 1960s onwards, there was a revival of
interest in automata, possibly as part of a new art genre in animated sculptures.
These were mainly rustic creations in wood and delighted many with
their quirkiness. They were usually characterised by simple mechanisms.
With more awareness, literature became available documenting
the history of automata and the principles of their mechanisms. Soon, a later group of makers started to produce more complex automata, using other materials
besides wood. Some of these pieces are very big and would be classified as art
installation. Most feature abstract themes as befits an emerging artform.
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